A contemporary art research project started by Cittadellarte Fondazione Pistoletto together with Fondazione Zegna, aimed at valorising art practices that affect contemporary social and cultural imagery.
The project’s first step is the publication of visibile – dove l'arte lascia il proprio campo e diventa visibile come parte di qualcos'altro, developed amongst nine curators and presenting forty-one art practices that directly intervene on society to trigger transformation processes, such as economic development models and resource distribution, access to information and experimentation of participative and democratic models.

The appointment with the book’s showcase is on the June 21, 2010 in Milan at the Triennale, within the exhibit celebrating Gruppo Ermenegildo Zegna’s centenary: Ermenegildo Zegna. Cent'anni di eccellenza. Dalla fabbrica del tessuto alla fabbrica dello stile (Ermenegildo Zegna. A hundred years of excellence. From the cloth mill to the style industry, TN), and on June 25, 2010, in Biella, for the XIII edition of Arte al Centro.

Curators:
Cecilia Canzani, Anna Colin, Hu Fang, Emiliano Gandolfi, Julieta Gonzalez, Raimundas Malasauskas Mihnea Mircan, Gabi Ngcobo and Elvira Dyangani Ose

Artists:
Alterazioni Video, Maria Thereza Alves, Aspra.mente, Patrick Bernier and Olive Martin, Anna Best, Francisco Camacho, CAMP, Santiago Cirugeda (Recetas Urbanas), Teddy Cruz, Neil Cummings and Marysia Lewandowska, Fadaiat, Cao Fei, Frente 3 de Fevereiro, Sou Fujimoto Architects, Goldin+Senneby, Gugulective, Zheng Guogu, Jeanne van Heeswijk, Paul Ramírez Jonas, Alon Levin, Goddy Leye, Jill Magid, Darius Miksys, Nástio Mosquito, Ciprian Muresan, Jesús Bubu Negrón, Offer and exchange, Progetto Diogene, Publink, Wanda Raimundi-Ortíz, Pedro Reyes, Anna Scalfi, Jonas Staal, Xu Tan, Javier Téllez, Tercerunquinto, Bert Theis, Ana Laura López de la Torre, Judith Werthein, Ming Wong, Mlu Zondi.

The theoretical contributions are by Michelangelo Pistoletto and Saskia Sassen. Published by Sternberg Press, Berlin.